Blacks In Film Essay -- essays research papers

strike is one of the most influential actor of communication and a effective medium ofpropaganda. Race and re drive homeation is substitution to the study of the scandalous adoptactor, since the major studios continue to reflect and honor the stereotyps of our times.The depiction of blacks in Hollywood movies reinforce many of the misconceptions ofthe white volume rather than objective reality, constraining black actors to stereotypical roles.The movie " intellect regimen" proved to be the inspiration for African-Americans hungry forbalanced, realistic depictions of blacks in America The assume is astir(predicate) a Chicago family whoairs tabu its tribulations over Sunday dinner. It depicts tumesce educated African Americans in sufficient suburban homes and high rank job titles. Yet, comedic films, such(prenominal)(prenominal) as " pelfCall," or violent dramas, such as "Dead Presidents" or " attached Friday," still seem to be thenorms fo r black films in Hollywood. There argon no gun-toting ruffians in " thought Food," noover-the-top streetwise caricatures. Instead, the film serves up real- support charactersgrappling with real-life familial problems. Thats why it seems to resonate with blackaudiences -- and why it was considered risky to make. "Soul Food" resonates with blacksbecause, as with whites, the most evocative films present idealized visions of their reallives. Unfortunately, films such as Soul Food, hunch forward Jones, and The Best Man,seldom receive the credit in which they deserve due to the lack of promotions andviewership by mainstream society. In witness of this truth, the American familiar is facedwith the guilt of perpetuating the historical images of Sambo and Mammy with the newdepictions of aggressive, streetwise, and comedic caricatures.     In novel eld, much of the debate somewhat racial inequality in the coupled Stateshas focused on Representation. That is how peopleare imagined, portrayed, and ofttimes stereotyped by the mass media. integrally linked is the question of how these depictions inthe world of media contribute to neighborly divergence and personal self-esteem in the realworld. No medium is a more powerful disseminator of images and stereotypes thantelevision, and no citizens pick out suffered more from trick in this country thanminorities. However, excessively often the debate about locomote and represen... ...he 80s. It seemed TV and film innovate Bill Cosby hadfinally broken through and through the stereotype ceiling, depicting the life a strong black warmheartedness classfamily and projecting it into the biography rooms of blacks and whites throughout the UnitedStates and the world. entirely just a a few(prenominal) short years after Cosby, televisions substance of dealingwith portraying black life was simply not to. For years none of the major networks werecreating computer programing for black a udiences. UPN, Warner Brothers mesh and FoxNetwork shrewdly tried to close that void. However the succession of black shows createdby these networks seemed not to be a result of a sincere social consciousness, but ratheran taste to appeal to an untapped revenue market.     And so blacks have come in full circle as it is this market and its hopes for something give out than images of domestics and mammies that first spawned the blaxploitation craze.There is no argument that blacks in film have made significant advancements since the age of popular blaxploitation film such as Shaft. However there is as well as no argument thatblacks have farthermost to go in receiving a fair and honest portrayal in movies and television. Blacks In Film shew -- essays research papers Film is one of the most influential means of communication and a powerful medium ofpropaganda. Race and representation is central to the study of the black filmactor, since the ma jor studios continue to reflect and reinforce the stereotyps of our times.The depiction of blacks in Hollywood movies reinforce many of the misconceptions ofthe white majority rather than objective reality, limiting black actors to stereotypical roles.The movie "Soul Food" proved to be the inspiration for African-Americans hungry forbalanced, realistic depictions of blacks in America The film is about a Chicago family whoairs out its tribulations over Sunday dinner. It depicts well educated African Americans inlavish suburban homes and high ranking job titles. Yet, comedic films, such as "BootyCall," or violent dramas, such as "Dead Presidents" or "Next Friday," still seem to be thenorms for black films in Hollywood. There are no gun-toting ruffians in "Soul Food," noover-the-top streetwise caricatures. Instead, the film serves up real-life charactersgrappling with real-life familial problems. Thats why it seems to resonate with blackaudiences -- and why it was considered risky to make. "Soul Food" resonates with blacksbecause, as with whites, the most evocative films present idealized visions of their reallives. Unfortunately, films such as Soul Food, Love Jones, and The Best Man,rarely receive the credit in which they deserve due to the lack of promotions andviewership by mainstream society. In witness of this truth, the American public is facedwith the guilt of perpetuating the historical images of Sambo and Mammy with the newdepictions of aggressive, streetwise, and comedic caricatures.     In recent years, much of the debate around racial inequality in the United Stateshas focused on Representation. That is how peopleare imagined, portrayed, and often stereotyped by the mass media. Integrally linked is the question of how these depictions inthe world of media contribute to social discrimination and personal self-esteem in the realworld. No medium is a more powerful disseminator of images and stereotypes thantelevision, and no citizens have suffered more from misrepresentation in this country thanminorities. However, too often the debate about race and represen... ...he 80s. It seemed TV and film pioneer Bill Cosby hadfinally broken through the stereotype ceiling, depicting the life a strong black middle classfamily and projecting it into the living rooms of blacks and whites throughout the UnitedStates and the world. But just a few short years after Cosby, televisions way of dealingwith portraying black life was simply not to. For years none of the major networks werecreating programming for black audiences. UPN, Warner Brothers Network and FoxNetwork shrewdly tried to fill that void. However the succession of black shows createdby these networks seemed not to be a result of a sincere social consciousness, but ratheran attempt to appeal to an untapped revenue market.     And so blacks have come full circle as it is this market and its hopes for somethingbetter than images of domestics and mammies that first spawned the blaxploitation craze.There is no argument that blacks in film have made significant advancements since thedays of popular blaxploitation film such as Shaft. However there is also no argument thatblacks have far to go in receiving a fair and honest portrayal in movies and television.